This exhibition is organized by the Seattle Art Museum.
  • Presenting Sponsor



  • Major Sponsors


    4Culture King County Lodging Tax
    The Mary Lou and Frank E. Everett, Jr. Trust
    The E. Rhodes and Leona B. Carpenter Foundation


  • Additional Support


    The MacRae Foundation
    Japan Foundation
    Contributors to the Annual Fund


  • Media Sponsor


    Seattle Weekly


  • Hotel Sponsor


    Four Seasons Hotel Seattle

Community Partners

Advocates for the Arts, Arts Corps, Arts Leadership Lab, Asha/Junior Asha, American Ethnic Studies, UW API Safety Center, Canoe Social Club, Degenerate Art Ensemble, Densho, East Asian Resource Center, Frye Art Museum, Future-ish, Gage Academy of Art, Garfield Drumline, Henry Art Gallery, Highline Public Schools, Hyogo Business and Cultural Center, Indian Association of Western Washington, I Heart Shiva, International Examiner, Mak Fai, Modern Language Association Conference Seattle, Northwest African American Museum, Northwest Film Forum, On the Boards , Out for Sustainability, Pacific Northwest Ballet, Pacific Science Center, Seattle Center, Nikkei Heritage, Seattle Parks & Recreation, Seattle Public Library, Seattle Public Schools, Seattle Symphony, Seattle Theater Group, Shunpike, Southwest Youth & Family Services, Sushi Saki Festival, Teatro Zinzanni, The 5th Avenue, The Northwest School, Town Hall, UW Press, UW World Series, Urasenke, WAPIFASA, Wing Luke, World Affairs Council Young Professionals International Network (YPIN), Youth Speaks

Image Credits

Wheel-shaped stone, Kofun period, 4th century, Japanese, jasper, 4 3/4 x 4 7/16 x 7/16 in., Seattle Art Museum, Gift of Mrs. John C. Atwood, Jr., Photo: Paul Macapia; Seated Indra, Malla dynasty, ca. 13th century, Nepalese, bronze set with semi-precious stones, height: 9 1/2 in., Seattle Art Museum, Eugene Fuller Memorial Collection, Photo: Paul Macapia; Cinnabar-lacquered tray with foliate rim, Muromachi period, 15th century, Japanese, lacquered wood, diam.: 20 1/2 in., Seattle Art Museum, Eugene Fuller Memorial Collection, by exchange, Photo: Paul Macapia; Plate, Qing dynasty, 1736-95, Chinese, Jingdezhen ware, porcelain with coral-red glaze, gold inscription, diam.: 6 7/16 in., Seattle Art Museum, Eugene Fuller Memorial Collection, Photo: Paul Macapia; Head of Buddha, Period of Central Java, ca. 800, Indonesian, Borobudur, Javanese, gray andesite, height: 14 1/2 in., Seattle Art Museum, Gift of Mrs. John C. Atwood, Jr., 53.70, Photo: Paul Macapia; Gyo do mask of Dragon from the Eight Buddhist Guardians, Kamakura period, early 13th century, Japanese, wood with lacquer, polychrome and gilt, 15 9/16 x 8 1/8 x 5 15/16 in., Seattle Art Museum, Eugene Fuller, Memorial Collection, Photo: Paul Macapia; Crows, Edo period (1615–1868), early 17th century, Japanese, pair of six panel screens; ink and gold on paper, 61 9/16 x 139 5/16 in., Seattle Art Museum, Eugene Fuller Memorial Collection, Photo: Seiji Shirono, National Research Institute for Cultural Properties, Tokyo. Seated Guanyin, Song period (960-1279), Chinese, wood with lacquer, gesso, polychrome and gilding, 64 x 36 x 30 in., Seattle Art Museum, Eugene Fuller Memorial Collection, Photo: Paul Macapia; The infant Shotoku Taishi in mantra-chanting form (namu butsu Shotoku Taishi), Kamakura Period, ca. 1300, Japanese, wood, lacquer and polychrome, 26 7/8 x 11 1/8 x 11 1/8 in., Seattle Art Museum, Eugene Fuller Memorial Collection.