How Ikat Is Made

Listen to this stop to discover the process behind making ikat textiles.

Listen to a verbal description of the object intended for someone with low to no vision, or anyone looking for a closer look at the object.

Transcript:

Let’s talk about how Ikat textiles are made. Techniques, materials and tools vary all over the world, but we’ll cover some of the basic details in this audio stop. The process that defines ikat textiles is known as resist dyeing, which requires binding threads with a material that repels liquid dye. Traditionally, materials like palm and banana fiber were used to bind the thread, but plastic is increasingly common. After they are tied off, the bundles of thread are submerged in liquid dye. Those areas that are tied off will remain the color of the original thread, and the exposed patches of thread slowly take on the new color. The longer the threads soak in the dye, the deeper and more vibrant the final result. By tying off different sections of thread for each new color, the dyer can create increasingly complex multicolored patterns. Dyes are traditionally made using organic materials. A few examples include indigo leaves, ginger root, onion and pomegranate skins, and cochineal insects. However, synthetic dyes have been popular since the late 19th century. After the dyeing process is complete, the weaving process begins. To create a textile, a weaver takes the dyed threads and stretches them over a frame called a loom. The threads stretched over the loom are known as the warp. To create a solid cloth, the weaver passes a thread side to side, over and under the taught warp threads. This is known as the weft. At this stage, the weaver takes care to match each thread to the next so the design lines up correctly. There are a few kinds of Ikat. The most common is known as a single warp ikat, where only the vertical threads are resist-dyed. Less common and more challenging is single weft ikat, where the horizontal threads are resist-dyed. The final and most complex category is double ikat, where both the warp and the weft threads are resist dyed, so two different designs have to be lined up on the loom. The visual signature of an ikat is a movement at the edges of a design that result from the slight shifts of individual yarns during the dyeing and weaving process. All over the world, there are regions where ikat was discovered and cultivated as a unique way to embed images in cloth.
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